This clock runs as quickly as the sinks consume samples. If every media sink in the pipeline is rateless, the Media Session uses a special rateless presentation clock. Typically this flag applies to archive sinks. A rateless media sink returns the MEDIASINK_RATELESS flag from the GetCharacteristics method. For example, it might glitch during playback.Ī rateless sink is a media sink that ignores the time stamps on samples and consumes data as soon as each sample arrives. If this flag is present and the presentation clock uses a different presentation time source, the media sink is likely to perform poorly. If a media sink cannot match rates with a clock other than its own, the GetCharacteristics method returns the MEDIASINK_CANNOT_MATCH_CLOCK flag. It must always use the time from the presentation clock, regardless of whether the presentation clock is driven by the media sink itself, or by some other clock. However, the media sink cannot assume this to be the case. This means that a media sink might schedule samples against a time provided by its own clock. Some media sinks have access to an accurate clock, so they expose this interface. Presentation time sources expose the IMFPresentationTimeSource interface. The presentation clock derives its clock times from another object called the presentation time source. When the media sink receives a new sample, it gets the time stamp from the sample and tries to render the sample at that presentation time. To determine when it should render samples. The media sink receives these notifications through the IMFClockStateSink interface, which all media sinks must implement. To receive notifications when streaming starts or stops. The media sink uses the presentation clock for two purposes: Every media sink requires a presentation clock to run. The presentation clock must be set on the media sink before streaming can begin. The Media Session selects the presentation clock and sets it on the media sink by calling the media sink's IMFMediaSink::SetPresentationClock method. The rate at which a media sink consumes samples is controlled by the Presentation Clock. To get a stream sink by its identifier, call IMFMediaSink::GetStreamSinkById. For example, an archive sink might write the stream identifiers into the file header. Depending on the media sink, the stream identifiers might have some meaning that is related to the content. Stream identifiers are unique within the media sink, but do not have to be consecutive. To enumerate them by index value, call the IMFMediaSink::GetStreamSinkByIndex method. (It might support some other way to configure the number of streams, for example by setting initialization parameters when the sink is created.) The list of stream sinks is ordered. The MEDIASINK_FIXED_STREAMS flag indicates that the media sink does not support these two methods. To remove a stream sink, call IMFMediaSink::RemoveStreamSink. To add a new stream sink, call IMFMediaSink::AddStreamSink. Otherwise, you can add and remove stream sinks. If it has a fixed number of stream sinks, the IMFMediaSink::GetCharacteristics method returns the MEDIASINK_FIXED_STREAMS flag. You should read the remainder of this topic if you are writing a custom media sink, or if you want to use a media sink directly without the Media Session.Ī media sink can have a fixed number of stream sinks, or it can support adding and removing stream sinks. For more information about activation objects, see Activation Objects. All other operations on the sink are handled by the Media Session, and the application does not call any methods on the media sink or any of the stream sinks. Instead, the application creates one or more activation objects, which the Media Session uses to create the sink. Typically an application does not create media sinks directly. Stream sinks expose the IMFStreamSink interface. Each stream sink receives the data from one stream. Each media sink contains one or more stream sinks. Media sinks expose the IMFMediaSink interface. Instead, it writes the data that it receives as quickly as possible. The main difference between them is that an archive sink does not consume the data at a fixed playback rate. The enhanced video renderer (EVR) displays video frames, and the audio renderer plays audio streams through the sound card or other audio device.Īn archive sink is a media sink that writes data to a file or other storage. Media sinks fall into two general categories:Ī renderer is a media sink that presents data for playback. A media sink is the destination for one or more media streams. Media sinks are the pipeline objects that receive media data.
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It is also imperative to study the history of swords and acquire accurate knowledge. The only way one can tell the difference between natural rust and manmade rust is to see and touch many real swords. Especially regarding the rust, some swords have a manmade “rust” produced by special chemicals. The tang is judged for its shape and form, its rasp, its rust, and the inscription. The blade and the tang must match, and the tang is often the easier part in the authentication process. It would be strange if it had a thick tang like they did in the late Edo period. For the elegance of the old style long swords, the tang needed to match that elegance too. The tang usually is written with the Chinese character “root”, but it is often also written with characters meaning “center”. To nurture an eye for the real sword, one must spend much time look at the real sword before studying fakes.Īs for the parts of the sword, it is divided into the blade and the tang, but the two parts are one continuous piece together. Most sword traders and collectors have felt regret at buying swords that ended up being fake, and they spend hours studying so they can avoid repeating the mistake. You will never know the value of real swords if you keep looking at fake ones. In order to identify these fake swords, it is necessary to look at the product quality as well as understand the historical period, style, and school of sword-making, but the best way to learn this skill is to look at real swords displayed in museums and study them in depth. The most common pattern is that swords without name inscriptions or with inscriptions that are scarcely known, the inscription will be removed and an inscription of fame be put in over it. This was only allowed by the Hon’ami household, and this is why there are many fake swords with gold or vermilion color inscriptions. For new swords that had no inscriptions they would put in vermilion inscriptions. For long swords whose inscriptions on the tang had worn out, they would put in the new inscription in gold. Gold inscriptions began in the Momoyama period (late 16 to early 17 Century) when the Hon’ami household carried out authentications. Some of the fakes were actually made better than the real sword! Next are swords with gold inscriptions in them. The first type is to create the sword in a similar shape then inscribe the name to make it look like the real thing, then sell it. In the Edo period fake swords “developed” further, and all sorts of fakes were produced. In the Muromachi period there was already a “certificate of authenticity” which included an inscription on the tang of the words and a description of the blade. Fake swords apparently started being made around the Kamakura period. debug -debug-level messages dmesg -l crit,emerg notice -normal but signinficant conditions g. alert -action must be taken immediately d. The option accepts one or more comma-separated levels. Filtering based on importance level, the -l (-level ) option restricts the output to defined levels. This will only print kernel and user-level messages. news -network news subsystem dmesg -f kern,user The option accepts one or more comma-separated facilities. The -f ( -facility ) option allows you to limit the output to specific facilities. Messages can be filtered based on facility or level. Here are some options to filter dmesg output. If the when argument is omitted, it defaults to auto.ĭmesg also support multiple arguments or formats such as dmesg -H -T -wįiltering dmesg output dmesg contains messages about everything, getting specific information from that can be overwhelming. The optional argument when can be auto, never or always. A pager is enabled by default for -human format. P (-nopager) do not pipe output into a pager. r (-raw) print the raw message buffer i.e. This is only supported only on systems with a readable /dev/kmsg ( since kernel 3.5.0) dmesg -w w (-follow) updates the output in realtime. If timestamps are meaningless to you then use -t ( -notime), then no timestamps will be printed. The timestamps format can also be set using the -time-format option, which can be ctime, reltime, delta, notime, or iso. T (-ctime) prints human-readable timestamps. H (-human) enables the human-readable output. Formatting the output makes it more readable as well as presentable in case you want to present it. This file provides an interface to the kernel ring buffer and can be opened only by one process.ĭmesg provides with numerous options to format the output. For example to view messages about USB then dmesg | grep -i usbĭmesg reads the messages generated by the kernel from the /proc/kmsg virtual file. If you are searching for kernel messages about a specific device or topic use GREP. Usually, the output contains a lot of lines of information, so only the last part of the output is viewable. When invoked without any options dmesg writes all messages from the kernel ring buffer to the standard output. It is useful for examining kernel boot messages and debugging hardware related issues. The dmesg command-line utility is used to print and control the kernel ring buffer in Linux and other Unix-like operating systems. It has a fixed size, which means once the buffer is full, the older logs records are overwritten. The kernel ring buffer is a portion of the physical memory that holds the kernel’s log messages. My Raspberry Pi used to throw under voltage detected kernel message whenever I power it from a cheap power adapter. These messages include various information about the operation of the system, In embedded devices even about the Voltages. The kernel writes various messages to the kernel ring buffer during the boot process, and when the system is running. The Linux kernel is the core of the operating system that controls access to the system resources, such as CPU, I/O devices, physical memory, and file systems. I am working on Orange Pi( for now)and Computer Vision and it occurred to me that “Can I make it’s OS/Kernel more efficient for chunking my video files and process it and utilize its SIMD ( single instruction multiple data ) architecture for my purpose?” that’s where my motivation came about kernel. Obviously the evolution came with its iterations. I am so far amazed to see how much thought process and engineering time went down making it what it is now and capable of doing. But exploring and learning it part by part making modules of it virtually makes it a bit easier to get idea of what is happening under the hood. With over 13+ million lines of code, the Linux kernel is one of the largest open-source projects in the world and believe me it’s daunting if you emphasize on 13 million figure. From the last six months, I have been trying to get a hold on Linux internals, it’s structure, working, the flow of execution of commands etc. You simply enter the time at which you start and stop working and the app counts the numbers for you. There’s plenty of them available on the internet. Or you can use time tracking software which will work as an automatic clock that measures work hours without the involvement of the staff.įor a straightforward solution, you can also use a free time card calculator. Also, you can use free Excel templates available on the internet. If you know your way around the tool, with a specific formula you can create a simple timesheet that will automatically calculate work hours. They can use punch in punch out calculator, but it still requires manual work.įor a good, plain timesheet calculator, use Excel. The disadvantage here is the fact that people still need to sum up total work hours. Punch clock automatically punches cards when employees clock in and out. The easiest way to calculate work hours is to use the mentioned above time cards, such as a punch clock or a timesheet. You can either use them all together or separately, depending on what costs you need to calculate.Įmployee hours may vary for different workers and it’s important to consider all values and make a distinction. From the easiest to the most complex, we’ll get through all of the elements one by one. There are several ways in which you can calculate employee time. Every small mistake can contribute to the loss of money. Using them, however, requires you to pay attention to the numbers. Nevertheless, for small businesses or individuals, simple time cards or timesheets may be enough. According to QuickBooks Time research, “ 80% of employee timesheets have to be corrected because employees can’t remember their hours when they forget to clock in or out.” That’s why it’s better to use an automatic work clock that works like a clock-in clock-out system. Not only does it mean more paperwork, it also requires additional administrative tasks.īut above all, it is ineffective. Unfortunately, in many organizations, they are filled manually. The most typical method for calculating payroll is the use of timesheets. It’s the simplest form to determine the exact work time. The common denominator for every calculator for time are time cards.
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